THE LORAINE WILLIAMS POETRY PRIZE: AND THE WINNER IS . . .
We offer our congratulations to Emily Wolahan, winner of the fourth annual Loraine Williams Poetry Prize. Wolahan will receive $1,000 for her poem "Still Lifes and Landscapes," which will appear in our Spring 2017 issue.
Wolahan is the author of Hinge (The National Poetry Review Press, 2015). Her poems have appeared in Gulf Coast, Boston Review, Volt, Tinderbox Journal, Fourteen Hills, and others, and her essays have been published in the New Inquiry and anthologized in Among Margins: Critical and Lyrical Writing on Aesthetics. She is associate editor at Two Lines Press and a founding editor at JERRY Magazine. She lives in San Francisco, where she is a member of the San Francisco Writer’s Grotto.
We thank everyone who submitted to this year’s contest, and we look forward to seeing more poems when the fifth annual Loraine Williams Poetry Prize competition opens on 1 April 2017.
We do not consider unsolicited manuscripts between 15 May and 15 August. Submissions received during that period will be returned unread. If you submitted a manuscript online during the submission period and wish to check on its status, please log in to our submission manager.
Work previously published in any form or submitted simultaneously to other journals will not be considered.
Published quarterly by The University of Georgia since 1947, The Georgia Review features an eclectic blend of essays, fiction, poetry, graphics, and book reviews. Appealing across disciplinary lines, the Review draws its material from a wide range of cultural interests—including, but not limited to, literature, history, philosophy, anthropology, politics, film, music, and the visual arts.
The Georgia Review is produced with the greatest care: we offer a well-designed format, printing on book-quality stock, and durable perfect binding of each issue’s +/-200 pages.
The best way to become acquainted with any publication is to read its recent issues. We invite you to enjoy and study our pages at your library or—even better—to subscribe yourself ($40 per year for four issues—with single copies available for $15 and sample back issues for $10).
Past contributors include veteran writers Lee K. Abbott, Alison Hawthorne Deming, Rita Dove, Stephen Dunn, Louise Erdrich, Albert Goldbarth, Ihab Hassan, Mary Hood, Judith Kitchen, Maxine Kumin, Philip Levine, Barry Lopez, Joyce Carol Oates, Linda Pastan, Pattiann Rogers, Reg Saner, George Singleton, Natasha Trethewey, Brian Turner, David Wagoner, Gerald Weales, Robert Wrigley, and Paul Zimmer—as well as new voices such as Todd Boss, Maggie Smith, Jessica Hollander, Michael Donohue, René Houtrides, Laura Sewell Matter, and LaWanda Walters.
Essays: We are seeking informed essays that attempt to place their subjects against a broad perspective. For the most part we are not interested in scholarly articles that are narrow in focus and/or overly burdened with footnotes. The ideal essay for The Georgia Review is a provocative, thesis-oriented work that can engage both the intelligent general reader and the specialist.
Poetry & Fiction: We seek the best work we can find, whether by Nobel laureates and Pulitzer Prize–winners or by little-known (even previously unpublished) writers. All manuscripts receive serious, careful attention; we try to respond within two or three months, but sometimes the ebb and flow of manuscripts causes delays. We have published stories ranging in length from less than one of our pages to more than sixty, and we have run poems of fewer than ten lines and more than one thousand. Ordinarily we do not publish novel excerpts, and we strongly discourage authors from submitting these.
Book Reviews: In most cases, selection of titles to be reviewed and assignments to specific reviewers are made by the editors, so unsolicited reviews should not be submitted without a prior query. However, we are quite willing to entertain proposals from reviewers concerning assignments they might like to undertake. (Separate, more detailed guidelines for book reviewing.)
Artwork: We publish reproductions (color or black-and-white) of a wide range of artwork: paintings, photography, woodcuts, ink drawings, sculpture, and more. Usually we feature one work each on the front and back cover plus an interior layout of eight additional works; our preference is for groupings that display an engaging variety within some overall thematic unity. Submissions should include fifteen to twenty images.
The Georgia Review accepts submissions both online and by post. We do not accept submissions via fax or e-mail.
Paper submissions to The Georgia Review must be accompanied by a postage-paid and self-addressed return envelope. Submissions should be addressed to:
The Georgia Review
Main Library, Room 706A
320 S. Jackson St.
The University of Georgia
Athens, GA 30602-9009
To submit work electronically, please visit our online submission manager. Subscribers to The Georgia Review may submit online at no cost; all other online submissions require a $3 processing fee, which the submission manager will prompt you to pay.
Work previously published in any form or submitted simultaneously to other journals will not be considered. Submissions should be limited (except under unusual circumstances) to one story or one essay or three to five poems. All prose manuscripts must be double spaced. If a submission is known to be included in a book already accepted by a publisher, please notify us of this fact (and of the anticipated date of book publication) in a cover letter.
The Georgia Review does not consider book manuscripts. Please direct all such works or queries about them to The University of Georgia Press, Main Library, 3rd floor, 320 S. Jackson St., The University of Georgia, Athens, GA 30602.
1. The Georgia Review pays all contributors; the current standard rates are $50 per printed page for prose and $4 per line for poetry.
2. We try to avoid having an extended backlog of accepted works awaiting publication; if accepted, your work would almost always be printed within a year—and usually sooner.
3. We are capable of printing high-quality illustrations to accompany essays.
4. The Georgia Review buys first North American serial rights only. All other rights revert to the author at publication, but we offer formal, written reassignments upon request. We ask that whenever an author reprints work that first appeared in our pages, The Georgia Review be given acknowledgment for the specific work(s) involved.