THE LORAINE WILLIAMS POETRY PRIZE: AND THE WINNER IS . . .
We offer our congratulations to Emily Wolahan, winner of the fourth annual Loraine Williams Poetry Prize. Wolahan will receive $1,000 for her poem "Still Lifes and Landscapes," which will appear in our Spring 2017 issue.
Wolahan is the author of Hinge (The National Poetry Review Press, 2015). Her poems have appeared in Gulf Coast, Boston Review, Volt, Tinderbox Journal, Fourteen Hills, and others, and her essays have been published in the New Inquiry and anthologized in Among Margins: Critical and Lyrical Writing on Aesthetics. She is associate editor at Two Lines Press and a founding editor at JERRY Magazine. She lives in San Francisco, where she is a member of the San Francisco Writer’s Grotto.
We thank everyone who submitted to this year’s contest, and we look forward to seeing more poems when the fifth annual Loraine Williams Poetry Prize competition opens on 1 April 2017.
Published quarterly by The University of Georgia since 1947, The Georgia Review features an eclectic blend of essays, fiction, poetry, visual art, and book reviews. Appealing across disciplinary lines, the Review draws its material from a wide range of cultural interests—including, but not limited to, literature, history, philosophy, anthropology, politics, film, music, and the visual arts.
We seek the best work we can find, whether by Nobel laureates and Pulitzer Prize–winners or by little-known (even previously unpublished) writers.
The Georgia Review accepts submissions both online and by post. We do not accept submissions via fax or e-mail.
We do not consider unsolicited manuscripts between 15 May and 15 August. Submissions received during that period will be returned unread. All manuscripts receive serious, careful attention; we try to respond within two or three months, but sometimes the ebb and flow of manuscripts causes delays.
Work previously published in any form will not be considered. Please let us know in your cover letter if your submission is simultaneously being considered elsewhere. Likewise, please notify us if any part of your submission is known to be included in a book already accepted by a publisher (including the anticipated date of book publication).
The Georgia Review does not consider book manuscripts. Please direct all such works or queries about them to the University of Georgia Press.
Please submit only one story. Manuscripts should be double-spaced. We have no standard submission length; we have published stories ranging in length from less than one of our pages to more than sixty. Ordinarily we do not publish novel excerpts, and we discourage authors from submitting these.
Please submit three to five poems for consideration.
Please submit only one essay. Manuscripts should be double-spaced. We are seeking informed essays that attempt to place their subjects against a broad perspective. For the most part we are not interested in scholarly articles that are narrow in focus and/or overly burdened with footnotes. The ideal essay for The Georgia Review is a provocative, thesis-oriented work that can engage both the general reader and the specialist.
In most cases, selection of titles to be reviewed and assignments to specific reviewers are made by the editors. However, we certainly welcome submissions from outside reviewers.
In addition to standard reviews (3–5 double-spaced pages) and book briefs (maximum length 2 double-spaced pages), both of which usually focus on only one book, we also publish essay-reviews. An essay-review is almost always a discussion of more than one book, and it should develop a strong thesis that not only links the books under consideration but also reaches out to comment on literature or culture beyond the texts at hand. Typical essay-reviews run 2–4 double-spaced pages per book reviewed.
We publish full-color reproductions of a wide range of artwork: paintings, photography, sculpture, woodcuts, ink drawings, and more. Usually we feature one work each on the front and back cover plus an interior layout of eight to twelve additional works; our preference is for groupings that display an engaging variety within some overall thematic unity. Submissions should include fifteen to twenty images.
As of 27 September 2016, we have switched over to Submittable and are no longer accepting submissions through Submission Manager.
All work currently in queue in the Submission Manager will be read by our editors. If you are waiting to hear about a manuscript, you should receive a reply within two to three months. You may still log in to check the status of your submission.
All new work should be sent to our new Submittable account.
Subscribers to The Georgia Review may submit online at no cost; all other online submissions require a $3 processing fee.
All paper manuscripts must be accompanied by a postage-paid and self-addressed return envelope. Submissions should be addressed to:
The Georgia Review
706A Main Library
320 S. Jackson St.
The University of Georgia
Athens, GA 30602-9009
Payment & Copyright
The Georgia Review pays all contributors; the current standard rates are $50 per printed page for prose and $4 per line for poetry. Essay-reviews and standard reviews earn honoraria of $50/printed page; book briefs carry a fixed honorarium of $50. In addition, all contributors receive a one-year subscription to The Georgia Review, an extra copy of the issue in which their work appears, and a 50% discount on additional copies of that issue. Subscriptions begin upon acceptance; honoraria are paid upon publication.
The Georgia Review buys first North American serial rights only. All other rights revert to the author at publication, but we offer formal, written reassignments upon request. We ask that whenever an author reprints work that first appeared in our pages, The Georgia Review be given acknowledgment for the specific work(s) involved.